Ikkat

Orissa's style of ikat has a long tradition dating back to the 12th century. The resist tying is done finely on two-thread units giving greater detail and fine curves. These units are tied freehand. Ikat or Bandha, as it is called, has gloriously woven, blurred, and gem coloured motifs in silk and cotton. The dominant motifs in this craft include animals and birds, with the traditional designs being fish and conch shell as well as bolmala, chandankora, and sachipar. As the design type is single ikat, the designs on the material are blurred; however, this trace design has a beauty all its own.

The intricate process involves tie and dye - knotting sections of the yarn before dipping them in colours one at a time, and finally weaving them to produce motifs in multi hued tones. While Sambalpur is famous for its double ikat textiles, Sonepur is known for its gold embroidered ones.

Source: www.textiles.indianetzone.com

Contributed by: Prathana, CEE Ahmedabad

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Muslin Fabric

This gossamer light muslin fabric has found mention in the writings of many visitors to India, even as far back as the 3rd century B.C. A great deal of muslin was produced in and exported from Bengal. Dacca was the main region where cotton was cultivated due to the high humidity of the region, which prevented the delicate thread from breaking on contact with the air. The cotton spun was very white since the Brahmaputra and the Ganges Rivers have bleaching properties. The chikan workers in Bengal used this fine muslin for embroidery.

Stitches in Chikankari

Double-Star Earring, Peacock Feather's Eye, Sidhual, Makra, Mandarzi, Bulbulchashm, Tajmahal, Phooljali, Phanda, Dhoom, Gol, murri, Janjeera, Keel, Kangan, Bakhia, Dhania Patti, lambi Murri, Kapkapi, Karan Phool, Bijli, Ghaspatti, Rozan, Meharki, Kaj, Chameli, Chane ki Patti, Balda, Jora, Pachni, Tapchim Kauri, Hathkati and Daraj of various types.