Mahari

Mahari

Mahari Dance originated in the temples of Odisha. History provides ample evidence of the 'Devadasi' cult in Odisha. The dance form that was being practiced by these Devdasis in the ancient times was called Mahari. The word "Mahari" in fact is formed by combining two words Maha and Nari that literally means great women. These Devadasis were considered sacred and were to perform only for the Lord Jagganath.

It was during the reign of Chodagangadeva, that Maharis were employed in the temples of Puri. After Chodagangadeva's death, Ananabhimadeva built Natyamandapa in the Jagannath temple for the dance performances inside the temple. Moreover, in those days, the Mahari dancers belonged to different categories namely, the 'Nachunis' (dancers), the Bahara Gauni, the Bhitara Gauni and the Gaudasanis.

The Maharis were married to the Lord at the age of nine. The Mahari dancers pay their obeisance to the Lord Jagannath before every dance.

Source: http://www.orissa.oriyaonline.com/mahari_dance.html

Muslin Fabric

This gossamer light muslin fabric has found mention in the writings of many visitors to India, even as far back as the 3rd century B.C. A great deal of muslin was produced in and exported from Bengal. Dacca was the main region where cotton was cultivated due to the high humidity of the region, which prevented the delicate thread from breaking on contact with the air. The cotton spun was very white since the Brahmaputra and the Ganges Rivers have bleaching properties. The chikan workers in Bengal used this fine muslin for embroidery.

Stitches in Chikankari

Double-Star Earring, Peacock Feather's Eye, Sidhual, Makra, Mandarzi, Bulbulchashm, Tajmahal, Phooljali, Phanda, Dhoom, Gol, murri, Janjeera, Keel, Kangan, Bakhia, Dhania Patti, lambi Murri, Kapkapi, Karan Phool, Bijli, Ghaspatti, Rozan, Meharki, Kaj, Chameli, Chane ki Patti, Balda, Jora, Pachni, Tapchim Kauri, Hathkati and Daraj of various types.